Thursday, March 15

Whiskey Myers

$15 in advance for 18+ (plus applicable fees) Doors: 8 pm
08:00 PM | $15.00 | 18

WHISKEY MYERS

It would be an understatement to say that a lot has happened since Whiskey Myers was

last in the recording studio. Over two whirlwind years, the gritty Texas band hit #1 on

the iTunes Country Chart with their breakout third album ‘Early Morning Shakes,’

earned raves everywhere from Rolling Stone to USA Today, and toured the US and UK

relentlessly, slaying massive festival crowds and sharing stages with Lynyrd Skynyrd,

Hank Williams Jr., Jamey Johnson, and more along the way. You’d be forgiven, then,

for expecting things to work a little differently this time around when the band

reunited with acclaimed producer Dave Cobb for their stellar new album, ‘Mud.’ But as

it turns out, success doesn’t change a Southern gentleman, and they don’t come any

more Southern than Whiskey Myers.

Fueled by larger-than-life performances honed tight from countless nights on the road,

‘Mud’ finds the band scaling new heights of songwriting and musicianship, with searing

guitars, soulful vocals, and indelible hooks. While their approach to the music and

humble, hard-working attitudes may not have altered, there have been developments

in the Whiskey Myers world, most notably with the arrival of new faces. For the

recording sessions, the band’s five founding members—Cody Cannon on lead vocals and

guitar, Cody Tate and John Jeffers on guitars, Gary Brown on bass, and Jeff Hogg on

drums—fleshed out their sound with the addition of fiddler/keyboard player Jon

Knudson and percussionist Tony Kent, who are both now full-time members.

“They bring a great energy, and I think it’s really helped our sound and makes the band

more versatile,” explains Cannon. “There’s less room onstage now, but sometimes a

family grows.”

A glance through Whiskey Myers’ lyrics will show you that Cannon is a man who chooses

his words carefully, so it’s little surprise that he describes the band as a family. The

tight-knit group’s roots stretch back decades into the red dirt of East Texas, where

Cannon, Jeffers, and Tate first began playing together before rounding out their initial

lineup with the addition Hogg and Brown (who is Cannon’s actual cousin). They built up

a rabid local following on the strength of their 2008 debut album, ‘Road Of Life,’ and

then notched their first #1 on the Texas Music Charts with their 2011 follow-up

‘Firewater.’ It was ‘Early Morning Shakes,’ though, that introduced the rest of the world

to what Texas already knew. The album cracked the Top 10 on the Billboard Country

Chart, a remarkable feat for a fiercely independent band and a testament to their

rigorous DIY work ethic and endless supply of passion and drive. Esquire called them

“the real damn deal,” while Country Weekly said they combine “greasy Southern rock

riffs with countrified songwriting and Texas grit for something wholly unique,” and

Playboy dubbed them “the new bad boys of country music.”

Even in the face of their rapidly-growing profile and expanding lineup, the band found

they were able to pick up exactly where they left off when they returned to the studio

for ‘Mud.’

“We don’t want a high stress situation, and we don’t want to feel uncomfortable while

we’re recording, because we want to make sure everybody can get into their creative

mode,” explains Brown. “Dave has a laid back attitude as far as making music and that

fits right in with the way we work. His ear is similar to ours and he has the same kind

of vision for what the music should sound like.”

What the music sounds like is raw, visceral emotion: pride, faith, desire, defiance. The

songs on ‘Mud’ are stories of ordinary men and women standing up for their families

and honoring their roots. Home is sacred ground for Whiskey Myers, not just a plot of

land, but rather the cornerstone of an identity worth dying for. Fiddle-led album

opener “On The River” steps back to frontier times when the struggle for survival was a

daily one, while the epic title track promises a home-foreclosing banker “Ain’t no man

gonna take it away / Because it’s deep down in my blood / So step across the ol’

property line / And you’ll die right here in the mud.” “Frogman,” written with Rich

Robinson of the Black Crowes, follows a Southern man halfway around the world, as he

risks his life to defend freedom and fight terror in the Middle East as a Navy Seal, and

the Darrell Scott co-write “Trailer We Call Home” finds the beauty in simple things,

concluding, “Times get tough but love is strong / Here in this trailer that we call

home.”

“Where you come from and where you grew up influences your music a lot,” says

Cannon. “As a band, we don’t go into the studio with any preconceived theme. You just

sit down and you write and the songs come out naturally.”

As a result, Whiskey Myers’ music fits neatly into no genre. Sure, it’s heavily influenced

by country music (“My first record was ‘The Pressure Is On’ / Ain’t it funny how your life

can change with a song” Cannon sings on “Hank”), but the band credits everything from

Alan Jackson and Waylon Jennings to Led Zeppelin and Nirvana as inspiration. “Some

Of Your Love” channels old-school soul, while the bright, punchy horns of “Lightning

Bugs And Rain” flirts with Rolling Stones swagger, and “Good Ole’ Days” captures a

stripped-down, folky vibe, as the whole band sat in a circle singing together live. It all

adds up to what Cannon perhaps describes best as “no frills, no bullshit rock and roll.”

“The equipment we used on the recording process for this one was really important to

the sound, too” he adds. “Dave has these amazing old amps and we recorded

everything to tape for the first time. The piano was from, like, 1904 or something, and

I don’t think it’s been tuned since. Little things like that make a big difference. It

sounds authentic when you actually use the real, old gear.”

In the end, there may be no better word for Whiskey Myers than authentic. This music

is in their blood, and it flows as naturally from them as a spring feeding a mountain

creek. While a record this good is sure to send their (lone)star rising higher than ever

before, you can rest assured that success still won’t be changing this band any time

soon. They make music they’re proud of that celebrates where they come from and

makes people feel good. As far as they’re concerned, that’s all the success anyone

could ever ask for.

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